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Cast
and Credits
Anthony Minghella (Director)
Jude Law (Inman)
Nicole Kidman (Ada Monroe)
Renée Zellweger (Ruby Thewes)
Donald Sutherland (Reverend Monroe)
Ray Winstone (Teague)
Brendan Gleeson (Stobrod Thewes)
Philip Seymour Hoffman (Rev. Veasey)
Natalie Portman (Sara)
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Seems like most the
year-end holiday films of 2003 that I have seen are very
good ones, yet they are missing some key ingredients that
would make them four star excellent films. And Cold
Mountain falls right into this category. The set
production is gorgeous to look at and most of the cast
(and I'll get back to this later) is excellent.
However, this is film where the primary theme of the story
fails but all the secondary storylines are so interesting
that they make watching this film a rewarding experience.
With a Civil War backdrop, the story of Cold Mountain is
told in the film with many flashbacks telling us what has
happened already. Right away, we watch the horrors
of the war during a battle with many deaths and with Inman
(Jude Law) getting seriously wounded. After somewhat
healing, Inman sneaks away from the hospital in order to
find his way home. We are not sure exactly what is
his primary reason to leave his army battalion, whether it
is to get back to Ada (Nicole Kidman) or to escape the
humanity of the war. In any case, we do find out in
flashbacks that Inman and Ada have met for a nano-second
prior to his leaving for the war.
So, while Inman is trekking home, we find Ada barely able
to get by as she doesn't have a clue on how to live in the
country without somebody always taking care of her.
Out of the blue arrives the free-spirited Ruby (Renée
Zellweger) who makes a deal to teach Ada how to run a farm
in exchange for room and board. Soon, the bad guys
are introduced as locals who are out to capture or kill
deserters for money. The head of this bunch is
Teague (Ray Winstone) who also has a hidden desire to take
Ada's land. While Ada and Ruby are trying to rebuild
the farm, Inman tries to make it home on foot but runs
into many characters, some who are out to help him and
some who are out to kill him. He runs into a diverse
range of people from a young woman living alone with her
baby and a perverse preacher who is also on the run.
The strength of this film are all the side stories and
interesting characters outside the main theme.
Moreso than the central love story, the film is mostly a
road film with Inman running into different people and
getting involved in many situations on his way home.
Philip Seymour Hoffman puts in a very amusing performance
as the preacher on the run. Natalie Portman is
terrific in a small role as the young mother trying to
survive. And Renée Zellweger provides the energy
that helps keep the movie going.
The big weakness of the film is easily the tepid romance
between Inman and Ada. The lack of an obvious and
real deep love between the two main characters is what
keeps this film from being one for the ages. The
most important aspect of the story is supposed to be the
love that these two people have and I sat there wondering
where is it. Why do these two people seem to be in
love without hardly ever talking or being with each other.
This lack of intensity of the romance is a big failure of
the film and I don't know why the director and
screen-writer didn't let the romance build and become a
true and real love. Doing this would have most
certainly made more sense of the motivations of Inmand and
Ada. I can only think back and compare this to the
dynamic and believable romance between Scarlett O'hara and
Rhett Butler in Gone With The Wind.
And unfortunately, for the first time I felt that Nicole
Kidman was miss-cast. She appeared to be an actress
spewing out memorized lines instead of being a engaging
character and one that the audience really cares about.
Ada is a far cry from Scarlett O'hara.
Otherwise, Cold Mountain is a gorgeous film to look at and
I didn't lose my interest in the film at all. The
story seamlessly moves back and forward to tell what has
happened three years prior. There are lots of
interesting characters and the film just has that look of
top quality. If only I believed for one minute that
Ada and Inman really had a passion for each other.
Oh well.....
-- Mike (
3 out of 4 pops )
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Other Junkie's
opinions.....
Billy Ray ( 1 1/2 out of 4 pops )
This has to be
one of the biggest disappointments of the year for me. I had such
high hopes for this film, due to the incredible cast, the usually
outstanding director, and the fact that I thought the book was
marvelous. However, the film adaptation of "Cold
Mountain" is nothing but a jumbled mess -- a partially realized
vision that relies too much on the unbelievable and not enough on the
plausible and most likely. Being the romantic that I am, it is
still hard for me to believe that Kidman and Law could have formed such
a strong connection having only known one another for such a short while
-- maybe if more time had been given to explain why that was, the film
might have turned out better. Renee Zellweger is the best thing
about this film, and I really hope she receives a Best Supporting
Actress nod for her role here -- she has extreme fun with it, and I
thought her performance memorable. I also enjoyed Philip Seymour
Hoffman in his small role as the reverend, especially the scene in which
he is finally able to 'relieve himself'; and the underrated Kathy
Baker, as the neighbor with a heart of gold. The biggest downside
of the film, for me, was that -- just as soon as I would get to start
liking a character -- they would get shot. Cillian Murphy, from
"28 Days Later", pops up in a small role, and gets gunned down
just when we see he has a little humanity. Ethan Surplee, who
plays a mentally handicapped banjo player, is told to 'put his hat in
front of his face', and is then gunned down in a very graphic and very
wrenching way. It also didn't help that I thought Jude Law's
performance was very tame and timid compared to his work in films like
"Gattaca" and "The Road to Perdition" -- he is the
lead in the film, and I guess I expected a little more passion and a
little more depth to his performance. Look for Lucas Black from
"Sling Blade" at the beginning of the film, if you can
recognize him, and see if you can spot Jack White from The White Stripes
-- it took me a while to realize it was him. Overall, "Cold
Mountain" is a heavily flawed piece of cinema that is worth renting
on DVD merely for the performances. The Golden Globes shined on
this film -- let's hope Oscar does not make the same mistake.
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